“I am happy Naira Marley and Sam Larry are back on the street” – VeryDarkMan

Verydarkman prides in himself for the release of Sam Larry and Naira Marley


Controversial critic VeryDarkMan commends himself for his steadfast backing of Marlian Records owner Naira Marley and his partner, Sam Larry.

Recall that the two were placed under detention for almost two months after they were suspected of being involved in the killing of the late ex-Marlian signee, Mohbad.

Within 48 hours of the two returning to social media to raise money for the less privileged, VeryDarkMan put a self-congratulating video on his page.

In spite of being pulled for standing by Naira Marley and Sam Larry, verydarkman made clear in the video how confident he was in the pair’s innocence.

Naira and samlarry are back on the street just as I told you guys🤷🤷(oh where Bella n co? If they didn’t kpai mohbad then who did??” he captioned the video.

“I am so happy that Naira Marley and Samlarry are now free men, they are now back on the streets walking freely, and I am so proud of myself that I assisted the Nigerian Police in solving this case, as there is no video or evidence linking Naira Marley directly to Mohbad’s tragic passing.” he said

In another of his video, Verydarkman weighs in on reports of Mr Ibu wife arresting Jasmine, her stepsons over N300M donation 

According to recent reports by actress Doris Ogala, Stella arrested Jasmine and Ibu’s sons for taking N300m out of the money meant for his treatment.

Jasmine and her team are allegedly detained at Alagbon station, Lagos, and this comes after Mr Ibu;s wife called out Jasmine, alleging fraud and embezzlement.

Doris Ogala also reported that the actor’s wife had earlier requested that a new house be bought for her from the contributed funds for her husband’s treatment.

In a swift reaction, Verydarkman, deeply immersed in Mr. Ibu’s health journey by rallying for donations and making hospital visits, has now taken to Instagram. He delved into the reported arrest in new video, injected his perspective into the unfolding narrative.

Exit mobile version