“No more big 3, there’s now a big 4” – Rema on Wizkid, Davido and Burna Boy

The iconic trio of Wizkid, Davido, and Burna Boy epitomizes the pinnacle of Afrobeats excellence, each artist carving a unique path of success, marked by a string of impressive feats—spanning sold-out international tours, collaborations with global icons, and boundary-pushing albums—that solidify their status as trailblazers on the global music landscape. However, in a surprising plot twist, Rema has shaken the table by declaring the 'big three' obsolete and suggesting a new era of Afrobeats royalty, potentially positioning himself among the top contenders, sparked a maelstrom of reactions online!


As fans eagerly await Rema’s upcoming project, the Mavin Records singer has stirred up discussions on social media by engaging in debates about the top artists in Nigeria.

The acclaimed singer used his platform on X (formerly known as Twitter) to share his thoughts on the ongoing discourse surrounding the country’s standout artists, Wizkid, Davido and Burna Boy often referred to as the “Big 3.”

On Saturday, April 27, 2024, the music star posted on social media with a concise message: “No more big 3, there’s now a big 4.”

Rema’s social media post triggered a flurry of responses from fans in the comment section, with many eagerly speculating and compiling lists of four artists they believed the singer could be alluding to with his intriguing statement.

SEE REACTIONS BELOW 

Continuing on, Rema reaffirmed his position in response to Davido, Wizkid, and Burna Boy’s previous denouncements of the Afrobeats genre. He once again voiced strong support for Afrobeats on a global scale.

The singer shared a post emphasizing that Afrobeats transcends other Afro sounds mentioned by fellow Nigerian artists, underscoring its unparalleled significance and influence.

Davido recently joined the ranks of Nigerian artists denouncing Afrobeats, following in the footsteps of Wizkid, Burna Boy, and Fireboy who have also distanced themselves from the genre.

During his appearance on the latest edition of the Business Untitled Podcast, the ‘OBO’ crooner expressed frustration at the tendency to categorize all African artists under the Afrobeats umbrella, regardless of their unique musical styles. He lamented what he perceived as a limitation or confinement imposed by this labeling practice.

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