Bolanle Austen-Peters responds resolutely to claims of historical inaccuracies in her movie “House of Ga’a”

Bolanle Austen-Peters, a visionary of unparalleled caliber, stands defiantly against the waves of criticism crashing against her magnum opus, 'House of Ga’a.' Her rebuttal is a passionate ode to the power of artistic freedom, a bold assertion that her film, while rooted in the legendary tale of Bashorun Ga’a, is a canvas of creative exploration and a reminder that the magic of storytelling lies in its ability to evoke profound emotions and to transport audiences to new realms of imagination


Renowned Nigerian filmmaker Bolanle Austen-Peters has fired back at critics of her latest blockbuster, “House of Ga’a,” asserting that it’s a feature film, not a documentary.

In a bold social media post on Sunday, the 55-year-old filmmaker staunchly defended her creative choices despite the backlash.

“House of Ga’a,” which hit Netflix screens on Friday, July 26, has garnered positive reviews, yet faced heavy criticism for alleged historical inaccuracies, misrepresentations of Yoruba culture, and unconventional Roman-style war costumes, among other grievances.

Dismissing the uproar, Austen-Peters pointed out that the film has soared to the top spot on Netflix in Nigeria and seventh globally, highlighting its undeniable popularity and widespread appeal.

She wrote;

“I love that Ga’a is creating conversations about our history & culture. House of Ga’a is a feature film inspired by true events that took place in Oyo Ile. It is not a documentary. There is room for a documentary for history buffs. For movie lovers, keep enjoying the magic of House of GA’A on Netflix.”

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Written by the acclaimed Tunde Babalola, “House of Ga’a” boasts a star-studded cast including Femi Branch, Funke Akindele, Toyin Abraham, Ibrahim Chatta, Mike Afolarin, Bimbo Manuel, Dele Odule, Adeniyi Johnson, Lateef Adedmeji, Juliana Olayode, Tosin Adeyemi, Yemi Blaq, and Stan Nze.

Also featuring Femi Adebayo, Jide Oyegbile, Bamike Olawunmi-Adenibuyan, Gabriel Afolayan, Ali Nuhu, Peju Ogunmola, Muyiwa Ademola, Toyin Oshinaike, and Bridget Nkem, the film underscores Austen-Peters’ prowess as a trailblazing theater and film producer.

Her impressive repertoire includes hits like “The Bling Lagosians,” “Collision Course,” “Man of God,” and “Funmilayo Ransome-Kuti.

 

 

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